Sight-reading is still a vital part of being a great musician. Here’s 12 ways to get better at it:
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When you step onstage, when you’re working at home on a recording project, when you’re making calls, you are the last line of defense for the quality of what you’re creating. You’re the only person that has the final say on whether your project is good enough, exciting enough, bold enough to make a difference.
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While I’m still getting started working as a studio sideman, I’ve been lucky enough to talk with musicians that have worked with Chris Tomlin, Stephen Curtis Chapman, Matt Redman, and Keith Urban. Here’s what I’ve learned from them:
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I recently found a specialty hardware store where you can buy a $160 hand shovel. It has everything: detachable handle, twistable leverage builders, and diamond-crusted plating on the tip for better cutting.
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