If you’re a freelancer, chances are you’ve been frustrated by trying to get your schedule to work with your clients. After years of massively failing at this, I’ve figured out a system that works for me. Here’s how I do it:
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This amazingly simple but inspiring instrument uses granular synthesis to create awesome textures. The controls are unbelievably simple: two sliders to adjust the start and end points. By keeping the controls so simple and obvious that three year old could get it, it frees up our minds to think about the music, and what we could do with just two controls.
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If I could send my 10-year-ago self a series of messages that could almost fit into 5 fortune cookies, I would send these tips (along with a few stock recommendations):
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I got this email from a reader this week:
Hi Eric,
I was just wondering if it is best to use a compressor on the patch itself, or on each individual instrument? (compressing the entire patch at once}. I use multiple keyboard controllers on each patch.. thank you.
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